Here is jazz ensemble arrangement of “April Green,” a composition written by legendary saxophonist Bunky Green. The song was originally released in 1979 on Bunky Green’s album Places We’ve Never Been that featured Randy Brecker, Albert Dailey, Ronald Kubelik, Eddie Gomez, and Freddie Waits. This arrangement for alto saxophone soloist and jazz ensemble was commissioned for Bunky Green and the University of North Florida Jazz Ensemble 1.
This arrangement can also be purchased here. If you are an artist who is interested in commissioning an original composition or arrangement that will feature you with a jazz ensemble, please contact me to discuss the details.
University of North Florida Jazz Students and Faculty perform April Green, a Bunky Green composition arranged for jazz ensemble by Clarence Hines. This performance from the 2011 CD/DVD April Green, features Bunky Green on alto saxophone.
Altered States, an original composition for jazz ensemble, will be performed by the University of North Florida Jazz Ensemble II on Friday, April 20th at the Lakeside Jazz Festival. The performance will begin at 6:00 p.m. on the main stage.
The Quest, one of my original compositions for wind ensemble, will be performed on April 15th in a concert by the University of North Florida Wind Symphony. This work was commissioned by Dr. Gordon Brock for a 2011 premiere at the Lincoln Center for the Performing Arts that featured Bunky Green, legendary alto saxophonist and former UNF Director of Jazz Studies. This upcoming performance of The Quest will feature Todd DelGiudice, alto saxophonist and UNF Professor, as Dr. Gordon Brock celebrates his final performance with the UNF Wind Symphony before retiring at the end of this semester.
The University of North Florida Wind Symphony, directed by Dr. Gordon Brock, will perform my composition Peña Amaya on it’s upcoming concert on November 21.
This piece evokes memories of an afternoon hike along the mountain trails of Peña Amaya, which is located in the province of Burgos in northern Spain. After learning of the historical significance of this landmark, with all of its ancient and medieval ruins, and after hearing a work from the Codex Las Huelgas, a medieval manuscript of Gregorian chants with origins in the region, I was inspired to compose this piece.
The opening motif, an ascending tetrachord consisting of the pitches C-Db-Eb-F, is the basis for much of the melodic content throughout this work. Initially presented in the flutes and glockenspiel, the cell is then passed between soprano saxophone, oboe, and woodwind choir. The steady and deliberate hike up Peña Amaya is represented by the slower-moving ascending gesture that follows. Upon reaching a plateau, we take in the ruins of a castle and medieval fortress. Here, members of the ensemble, mostly the woodwinds and percussion, are presented in a highly polyphonic texture and in a more spontaneous manner — aleatoric notation is given to these instruments. After resuming our trek up the mountain and after the trails begin winding dangerously close to the cliffs, we arrive at the summit where we are greeted with a spectacular view of the entire region.
A jazz ensemble arrangement of the Woody Shaw composition, Beyond All Limits, has been published and is now available for purchase. This arrangement was inspired by organist Larry Young’s recording of the tune on Unity, a 1966 Blue Note album that featured Woody Shaw, Joe Henderson, and Elvin Jones. Beyond All Limits was recognized as the 2003 Best Jazz Arrangement by DownBeat Magazine.